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Koolatron Coca - Cola Personal Cooler / Warmer provides storage and temperature control for food and beverages. Cool or warm your food and drinks easily. The Coca-Cola Personal Cooler / Warmer looks like a small refrigerator and is perfect for the car, boat or home. It holds up to six 12-oz. cans of soda or beer. It operates on 12V DC or 110V AC with an AC adaptor. Cools food and drinks to 32 degrees F below ambient temperature; Keeps pre-heated foods and drinks warm to 149 degrees F; Heated and cooled through thermoelectric module; External heat dissipation by fan; CFC-free insulation; Measures 11 x 7 1/2 x 10"d; weighs 4 1/2 lbs. Get the classic Coca-Cola look at big savings! Order Today! Koolatron Coca-Cola Personal Cooler / Warmer

Classic Wall Mounted Bottle Opener The perfect addition to your home. This wall mounted bottle opener is fun AND functional. Made from heavy duty die-cast zinc, this classic bottle opener is just the right size to mount in your kitchen or bar.

Enchanting family fantasy about an alien being from another planet who comes to Earth and befriends a crippled boy, teaching him lessons about love and independence. Jade Calegory, Jonathan Ward, Christine Ebersole star. 99 min. Standard; Soundtracks: English Dolby Digital stereo Surround, Spanish Dolby Digital mono; Subtitles: English, French, Spanish.

If you're a Supremes, Diana Ross or Motown fan, this is your collection! ALl of their best on 3 LPs, plus 20 previously unreleased songs and a 12 Pg photo book and recordography. LPs include rare Supremes interview, and a 1965 Coca Cola commerical featuring Baby Love

Three separate story lines set in Africa eventually come together in this 1980 film by Jamie Uys. (The film wasn't released in the U.S., where it became a huge hit, until 1984.) Story one involves a bushman whose discovery of a Coke bottle causes consternation among his tribe, story two concerns an awkward romance between a clumsy scientist and a sweet schoolteacher, and the third plot involves a group of terrorists on the run. Slapstick, satire, romance, violence--it's all here in a somewhat bumpy but entertaining movie. --Tom Keogh

Hardly ever mentioned in the category of lightning-paced comedies--the His Girl Friday and Preston Sturges kind--is this breathless cold war farce from the great Billy Wilder. Adapted from a one-act play by Ferenc Molnár, Wilder and collaborator I.A.L. Diamond's hilarious screenplay is a whirlwind collection of one-liners, gags, and double-entendres, anchored for the cameras by Jimmy Cagney's cagey and frenetic performance (one of his best), and, under Wilder's direction, executed with diamond-like precision. The gangster-movie icon plays a Coca-Cola executive in West Berlin (the film's 1961 release put it squarely in the middle of the world's laserlike focus on East vs. West tensions) who has parlayed expanding American consumerism into a chance to break through the Iron Curtain and sell "the pause that refreshes" to thirsty comrades. But when his Atlanta boss's visiting 17-year-old daughter (Pamela Tiffin), a boy-crazy Southern tornado, reveals that she has secretly married an American-hating German Commie (Horst Buchholz), Cagney's big-American-fish-in-a-European-pond lifestyle is threatened, especially once Daddy hops a plane to Germany. As the plot accelerates, the lines literally spit out of the cast's mouths--the title refers to Cagney's character's rapid-fire rattling off of lists of tasks--and Wilder's penchant for urbane nastiness is perfectly measured by the order of the whole crazy circus. This movie takes gleeful potshots at both sides of a conflict that terrified audiences in its day, but has aged beautifully to become a fascinating time capsule, an exhilarating litany of zingers and a potent blueprint for razor-sharp political satire. Cagney would retire after this movie for 20 years (returning for 1981's Ragtime), and it's hardly any wonder: he has the energy of 10 performances in this one film. --Robert Abele

For more than a century people have refreshed themselves with oceans of brown fluid. Much of this fluid was produced by one Atlanta-based company, and Coca-Cola: The History of an American Icon offers a panegyric to the Real Thing. The history of Coke is the history of its advertising, and this documentary draws on a rich archive of print, film, and television material to show how John Pemberton's soda recipe became such a potent symbol of American society. Coca-Cola: The History of an American Icon is, unsurprisingly, a one-sided history. There is no suggestion that the Coca-Colonization of the planet might have a downside, and lines like "If the world's having a bad time, it's OK because there's still Coke" are delivered without a hint of irony. Nevertheless, this documentary offers some fascinating insights into the history of Coca-Cola. --Simon Leake

South African director Jamie Uys caught lightning in a bottle with The Gods Must Be Crazy--a Coke bottle, to be specific. This slaphappy collection of goofy pratfalls and culture-clash gags became an enormous international smash, and made a sort of star out of the Bushman selected to play the central role, the completely ingratiating N!Xau. He plays a man, unaware of white culture, who finds a Coca-Cola bottle in the Kalahari (dropped by a passing pilot) and promptly has his life turned around by this mystical object. The movie looks slipshod and even amateurish at times, yet its attitude is so bubbly it's hard to resist. Proving that physical comedy remains a true international language, millions of moviegoers around the world drank it up. --Robert Horton

When a primitive Bushman finds a coke bottle, he sets out to return it to the gods, and encounters the insanity of \civilization" for the first time.Genre: Feature Film-ComedyRating: PGRelease Date: 4-APR-2006Media Type: DVD"""