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This is one of those albums where you'll want to cherry-pick favorites. Recorded live when the supergroup was at its commercial zenith, it's sloppy in spots where precision is called for. And the hyperbolic counterculture rants sound a bit silly these days (Bellows Stills: "Jesus Christ was the first nonviolent revolutionary! Ah, dig it, dig it!"). On the other hand, the electric jams are enlivened by some charged guitar skirmishes between Stills and Young. Those who owned the original 2-record set will be pleased by the additional Graham Nash song ("King Midas in Reverse") and Young's acoustic "The Loner"/"Cinnamon Girl"/"Down by the River" medley. --Steven Stolder

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: CROSBY STILLS NASH & YOUNGTitle: 4 WAY STREETStreet Release Date: 06/23/1992

Wynton Marsalis may not have an easily recognizable or even particularly handsome tone, but this erstwhile jazz trumpeter is an amazing virtuoso with a fine sense of classical style. If you've never owned/heard any of his classical CDs, and you love (mostly baroque) trumpet music, this compilation--a sort of "greatest hits"--is for you. From such cruddy, sensationalistic works as Carnival of Venice to the glories of Haydn's E-Flat Concerto, this is grand entertainment. Marsalis is joined by Kathleen Battle in an exciting version of Handel's "Let the bright seraphim," and the treat there is doubled. A fine piece by Hovhaness for trumpet and organ, never before released, is another surprise. Come listen to the endless, seemingly casual roulades that come out of this guy's trumpet--they'll wake you right up. --Robert Levine

The recordings that Giulini made with the Chicago Symphony between 1969 and 1976 document an extraordinary partnership and remain among the finest of the conductor's career. Giulini's Mahler First is more lyric than most, yet with enough energy to satisfy Mahlerians; the last movement a tribute to the conductor's unerring sense of orchestral balances even in crushing climaxes. His rendition of the orchestral movements of Berlioz's "dramatic symphony" Romeo and Juliet excels in its poetry, the warmly caressing Chicago strings in the Love Scene irresistible. The Beethoven Seventh is an eloquent blend of the Dionysian and Apollonian approaches to this "dance symphony," with glowing horns, driving rhythms and lovely solo turns. Giulini's later remakes of the Beethoven and other works in the set often were soporific; here, he's on target. This Bruckner Ninth, for example, is grandly rhetorical but full of passion. The Brahms Fourth is a highly personal account, with a ravishing slow movement, while the Stravinsky ballet suites reveal the Chicagoans at their most refined; the Firebird exquisitely colored, Petrushka, amazingly precise. Classic recordings, well transferred; a bargain that shouldn't be missed. --Dan Davis

NOTE: It is your responsibility to understand SCA combat rules and regulations. These rules and regulations vary from tournament to tournament and all standards are subject to interpretation by Tournament Marshal. For your own protection, do not wear this or any other armor in any combat activity unless it is approved by SCA Officials prior to event. The manufacture and we are not responsible for inappropriate and unauthorized use of this product; always follow SCA rules and guidelines. This medieval armor chainmaille is made to look antique with 5/16th steel metal finishing; therefore, please do not think this is a used or a piece of museum art. The of Medieval Armor Chainmaille comes in one complete box.